#Handbrake 4k video movie#
#Handbrake 4k video 1080p#
#Handbrake 4k video full#
#Handbrake 4k video Pc#

Problem comes when the source movie is grainy then it's just a balancing act really either you wanna retain some of the grain, most of the grain or just mush them into smears. Though ideally for me a typical grainy movie should be around 10-12gb with a single DTS/DTS-HD audio which takes up usually 2gb of the whole file which is what I got encoding the Phenomena 4k bluray. And my RF is 20 slow h265 10 bit across bluray and 4k ones with some tweaks i got online. Some encoders, like h264 in HandBrake, offer special settings and filters geared towards the type of movie or video you’re working with.

Use filters or optimal settings for the type of video you’re working with. Preferred HandBrake settings: Leave Sizing, Aspect Ratio. David Harry 23. But Silence of the Lambs and Aliens? Damn near identical size to their bluray counterparts with my settings which intend to preserve the grain. HandBrake Automatically cropping black borders.

#Handbrake 4k video Pc#

The following results were produced using a PC equipped with an Intel Xeon E5-2699 v4 CPU with 22 cores and 44 threads running at a sustained turbo between 2.6-2.8 GHz, 32 GB memory, and.

#Handbrake 4k video 1080p#

Most 'modern' looking/recorded films will be compressed well, hell even rarb* encodes which are usually 1.5gb look good on a 1080p display. Here, we’ve encoded the same high quality 2160p 4K video Source in six different output resolutions using the x265 video encoder’s medium encoder preset.

#Handbrake 4k video full#

I managed to shave it from 4k which was like 60-80gb? To 1080p with BT709 filter+ full English audio passthrough to only 6Gb lol and it still looks good on a 65 inch 4k TV. I did a post recently lamenting/complaining over that lol. In that case it just depends on the source movie really. It would make sense to try and preserve this grain, if you can tolerate the file size.Ah no worries. The blu-ray mastering has clearly honored this intention. In the case of Saving Private Ryan, the amount of grain is clearly a deliberate filmmaking choice, the cinematographer choosing a grainy stock, push processing and/or using a skip bleach process.

Often, DVDs and blu-rays have had sophisticated grain removal applied already so the final product looks slick. Note: I've also been testing my settings with Saving Private Ryan.

The basic truth is that grain doesn't compress well, and if you want to recreate what's in the source, it's just going to need a lot of bits. Note that if you are tempted to use 'grain' preset, this can help but only if you are taking a strategy like number 2 - preserving the grain and creating a huge output file. A motion compensated grain removal will do less damage to actual detail. animations, bright/dark scenes, film grain, etc). If you look at scene encodes, they typically stick between CRF 17 and 13, depending on what the video entails (i.e. However, 'good' is highly subjective when it comes to video encoding. But, even if you don't fully remove it, you can cut down on it enough to make the encode a lot smaller, without degrading the picture too much. Handbrakes 'recommended' defaults you probably know already (everyone has chimed in as much). Removing the grain is not trivial, especially if it's natural grain (as in film grain) which doesn't conform to just a single radius/frequency spread.

Take steps to control the file size, such as with a VBV buffer and/or increasing CRF, but this sets up a fight between compression and grain preservation, where the middle ground is 'slightly smudged grain' which may or may not be natural looking.

Encode with a usual sensible CRF, and the resulting file will be huge but grain will be mostly preserved.

Try and remove the grain, and encode without it.

With highly grainy sources you have three choices, and you can use a combination.